Diplo « thefmly – those who were strangers had turned into friends

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edc – take two – saturday 6/27/09

The fire hath cometh – thronging crowds of people lined up to a day which was suppose to have double the attendance of the previous day. I was prepared to hack my way through bros and e-tards like Marlow through the dank and desolate jungle of Conrad’s Heart of Darkness. I had gotten to Exposition Park right as Cosmic Gate was starting at 6pm and then left the place when Paul Van Dyk closed the main stage at 4 am. Ten hours of joyful electronica seeping through my skin and tickling every organ in my tired body with the bellowing bass of decrepit drums, the dissonant distortion of house and hardstyle, and the temporal tenderness of trance. Can’t you understand that we’ve almost made it to the promise land?

Pictures after the jump…

Continue reading ‘edc – take two – saturday 6/27/09′

MAJOR LAZER fights the war

While the war in Afghanistan nears it’s eighth year and more troups and money are being poured into them, there is another unspoken war being fought. Major Lazer is the prime weapon in this war.

Major Lazer is a Jamaican commando who lost his arm in the secret Zombie War of 1984. The US military rescued him and repurposed experimental lazers as prosthetic limbs. Since then Major Lazer has been a hired renegade soldier for a rogue government operating in secrecy underneath the watch of M5 and the CIA. His cover is that of a dancehall night club owner from Trinidad and he enlisted the help of long-time allies and uber-producers, Diplo and Switch, to produce his first LP. His true mission is to protect the world from the dark forces of evil that live just under the surface of a civilized society. He fights vampires and various monsters, parties hard, and has a rocket powered skateboard. As part of a plan to subdue the forces of evil with a batch of futuristic dancehall bangers, the three encamped at Tuff Gong Studios in Jamaica to record the Major Lazer record.

Okay so maybe Major Lazer is really just Diplo and Switch. It still doesn’t stop Major Lazer’s first release Guns Don’t Kill People… Lazers Do from being a hardcore dancehall banger. It’s the classic story of Harold and Maude but where Maude is hard-hitting old school Jamacian Dancehall and Harold are those beats that force you to get up and move.


Guns Don’t Kill People… Lazers Do comes out on Downtown Records on June 16th, 2009 but you can download a couple of the songs right now for free.

Hold the Line (DJ Edit) – Major Lazer (instrumentals and accapella also available)

A little bit of a sillier song: zumbi-feat-andy-milokanis

May The Black Lips Be With You

“I’ll Be With You,” off of the Black Lips200 Million Thousand, just received video treatment with plenty of the band’s input. Music vid below, acoustic sesh here and tBL talking about the track here.

I’ll be with you is a pretty sappy, but heartfelt song about a dear friend. I wanted the video to reflect the feeling and mood of the song as I feel it. I wanted to kind of recreate old home movies I’ve seen of my family in the 60’s, but make it a little more subversive and somewhat sinister. We playboy’s laying around, and some satanic elements, and charlie manson. But still semi-innocent and silly and happy. It was alot of fun to make it. I got my roommate to dress as a clown, and we got to throw cake all over my friends kitchen, making her scream like a maniac, while we laughed like maniacs.

Black Lips – I’ll Be With You
The Black Lips – Veni Vidi Veci (Diplo RMX)

Fun Fact: Alex Levin aka ECK$, an ex-blogger and very close friend of the FMLY who currently works at Vice is responsible for the trippy album art on 200 Million Thousand. He’s also an excellent musician, I’ll make sure to post a track of his once I can get it back to my computer.

FMLY Loves KE$HA

Here’s a FMLY secret, we’ve found a new addition to the best FRND category and her name is KE$HA. You probably know Kesha from the Flo Rida track “Right Round” where she sings about giving head and just having an all-around wholesome time. FMLY spent Friday evening and night as Kesha’s date to the Avalon and we couldn’t be more excited for the journey she is set to embark on; FMLY offers 100% of our support to the most awesome pop star of the 00’s. Kesha doesn’t just sing about sex, drugs and getting her freak on, but she actually gets down and dirty and has a sense of humor that the average sex symbol just doesn’t understand…plus she doesn’t just dig, but loves vinyl. Expect remixes from Switch and Diplo, a collaboration with Three Six Mafia and a solo record to drop towards the end of ‘09 via RCA. Production credits include Dr. Luke and Max Martin, if they sound familiar it’s because they sorta make the music for Katy Perry, Kelly Clarkson, Pink and Britney Spears, no big deal.

Flo Rida – Right Round (feat KE$HA)

Coincidentally, FMLY veterans The Hood Internet just posted a mashup of Flo Rida vs MSTRKRFT called “1000 Times Right Round” featuring our girl!

The Hood Internet – 1000 Times Right Round (Flo Rida & KE$HA vs MSTRKRFT)

KE$HA, we love you babygirl!

Interview With Michna

Aside from having awesome taste in music [see final question] and being a real cool guy, Adrian Michna is an incredible musician with over a decade of experience under his vinyl studded belt. His debut solo album, Magic Monday, dropped late last year on Ghostly International (School of Seven Bells, Matthew Dear, Cepia, Mobius Band, etc) and since then has made its way into XLR8R, FADER and even iTunes Spotlight on Indie: Dance and Electronic (then made it into the top20). If you’re in New York Michna will be playing live with Raw Paw THIS FRIDAY at The Studio at Webster Hall, opening bands include the always colorful Woodhands and Red Wire Black Wire [flyer at bottom of post].

FMLY: Magic Monday is dubbed an “electronic” album. Now that’s a pretty vague term, especially when it comes to this album, what do you feel better describes your sound?

Michna: I think the easiest way to describe it is as instrumental music created with organic and electronic instruments

FMLY: What sparked the switch from Egg Foo Young to Michna and will you still be working with the EFY moniker?

Michna: Egg Foo Young was the joke that went to far and just stuck. Doing Michna is me being able to come fresh and establish myself first and foremost as a producer. I’ll always be able to DJ ridiculous events (such as Dre Day) under the name Egg Foo Young

FMLY: How long did it take for you to put together Magic Monday and was this studio recorded or worked on in your apartment?

Michna: Magic Monday was worked on steadily from 2004-2007. It was recorded in various home studios.

FMLY: Tell me about the instruments you’ve used on the album. Did you play them all? Did friends help? Which instruments did you play and when did you learn how to use them?

Michna: I play trombone, synth, drum machines, guitar, bass, and found sounds. I went to college for trombone but taught myself everything else just by experimenting. In addition to my own playing I had about 4 different musicians/friends play on the album. John Gaviglio was my roommate and played some cool guitar – he used to play in the famous screamo band Bear vs Shark. Matt Friedman is a childhood friend and played rhodes and guitar. He and I have made many records together in the past under the name Secret Frequency Crew. Now Matt is producing for LL Cool J under the name Illfonics. Lastly I met a really great double bass player in Vienna named Martin Mittelsteir. He played on 2 songs.

FMLY: Do you feel that your environment affected Magic Monday? Could you have made this album in Miami?

Michna: I could have made this album in Miami but it definitely would have come out sounding different. There would be Metromovers, parrots, cafe con leches, and lots of Cuban audio.

FMLY: How many songs didn’t make the cut and will you be releasing them?

Michna: About 3 or 4 didn’t make the cut, I think a few will be released as b-sides.

FMLY: Who made your album art and what do you think it evokes? Does it complement or contrast the album, or is it autonomous?

Michna: The art was done by the Miami based duo, Friends With You. There was a lot of work that went into it, and one of the great things they achieved is that you discover something new every time you look at it. (This is also one of my goals when producing the audio). Another thing which they have told me numerous time is that they had FUN making the art, and I think that shows. They took some of the ideas I threw at them and put their own twist on it. Manholes in the sky, catching the bus, palm tree in times square, and Epcot Center circa 1989. I feel that if you never get to see the CD booklet you are missing out on 50% of the album.

FMLY: Tell me about Secret Frequency Crew and what inspired it.

Michna: In 1995 me and friends took mushrooms and came up with the name to describe the frequency we were all on. This crew of close people were sharing the same secret frequency. We were all in a band but had numerous other hobbies going on at the same time

FMLY: Tell me about your producing credits and your work with Diplo and Bonde do Role.

Michna: I dj’d with Wes Gully back when he was doing Hollertronix. At the time I had just released a heavy electro bass 12″ called Miami Eyes, and I think the nasty bass tones caught his ears. So he took the Fung Wah to my studio and we worked on the song “Way More”, which came out on his Florida album. When the album dropped, Money Studies pressed up a limited bonus 12″ that featured his crazy joint “Thingamajawn Part III” and an Egg Foo Young remix of “Way More”. A few years later Bonde do Role got signed to Domino, and they finally had the budget to afford me, so I produced the song “Quero Te Amar” for them.

FMLY: Ghostly International is a very interesting label, how did you become involved and why did you decide to release your album with them?

Michna: Ghostly was familiar with the albums I released with Secret Frequency Crew, so I was already slightly on their radar. I wanted to get signed to Ghostly cause they are an A-Class top shelf record label. I shipped them numerous cassette demos (to prevent leakage) and finally negotiations were made. I couldn’t have picked a better label.

FMLY: Appearing on iTunes’ Top 20 Electronic Albums isn’t an easy feat, especially being alongside heavyweights like A-Trak, Cut Copy, Ratatat and M.I.A. (for readers, I also want to point out the appearance of Portishead, Crystal Method and Daft Punk on that list). Since this, have you received a flood of requests whether it be collaborations or remix work from artists of this globally acknowledged caliber?

Michna: Yes, a lot of requests have been coming in. The hard thing is there is only one of me.

FMLY: If you could curate your own show, who would you put on the bill and where would it be?

Michna: In 1996 me and Secret Frequency Crew started “curating” a party that was to be held in the middle of america from 12/30/99 – 01/01/00. We called it “Meet in the Middle” and the idea was for the west coast and east coast to have the ultimate festival. It never happened, but we planned for acts like the Beastie Boys, The Orb, Primus and Sonic Youth.

FMLY: Do you give any credit to your musical ability and [partially] success from your time spent working at Turntable Lab? Or were your skills this dope before?

Michna: I’ve been playing in bands since I was 15, and I feel getting started at that age is very important to anyones musical ability. When I worked at Turntable Lab I was kind of a dinosaur cause I was already stuck in my ways of production. Still on OS 9 and using mostly analog gear and outboard equipment. Thru Turntable Lab I got to see many trends in music come and go, and this solidified my original plan: to just make music that is me and what I want to hear.

FMLY: Are you still remixing? If not, will it be something that you come back to from time to time?

Michna: The world is flooded with C-rate remixes, and your sisters friend is making a Jonas Brothers one right now. Not saying I won’t turn out a few Jonas Brothers remixes.

FMLY: I enjoy the way that you speak of cassettes, will you just talk about your relationship with them as well as Magic Monday’s?

Michna: The thing about cassettes is that everyone who did grow up with them had some personal shit. You had FM radio you recorded, or your mom yelling at you, or tapes from answering machines, or a fisher price joint, or a tape of your high school choir. Rather than sampling another persons music, I just sampled my own shit for Magic Monday.

FMLY: Jandek is certainly fascinating in his own right. Did you go through him in regards to the remix or was it “unofficial?” Has he given you feedback?

Michna: The remix was 100% official. We included a xeroxed copy of the letter in the 7″ release. One fan was so impressed he scanned it and put it up here: http://grimshaw.jeff.tripod.com/BlueCorpseNote.jpg
We later asked Jandek “what he thought” of the remix but he never wrote us back.

FMLY: Having lived in NY and Miami, are you a fixie kinda guy or do you enjoy the feel of a road bike? I personally refurbish and ride ten-speeds which is why I ask.

Michna: I actually always stuck to BMX. In Miami I got my first 24″ Cruiser and got around the city with that.

FMLY: Musicians that you’re really into right now or albums that you’re pumped about?

Michna: I’m still bumping Dear Science and Merriweather Post Pavilion…

Michna – Triple chrome dipped

Fear & Loathing in Hunts Vegas


Those who have had the pleasure of riding in my car over the past few years have experienced the magic of hip-hop through the majesty of Paper Route Gangstaz (PRGz). Well the day for this long awaited mixtape to drop is upon us, on November 18 pay what you want and get what I’m putting my money down as the best hip-hop record of the year along The Cool Kids’ Bake Sale, Q-Tip’s The Renaissance and if you want to get super snobby then I’ll throw in Tobacco’s Fucked Up Friends and Why?’s Alopecia (although I think I just overdid it). But you know, after seeing Beyonce on SNL tonight with two drummers and a breakdown, who knows… Get your download code here, it’s two minutes of your time well spent – thanks Diplo!

PRGz – Looking Good

MF Doomed


MF Doom fans rejoice for Doomed has dropped. The 156MB mixtape prominently features the man in mask’s verse from De La Soul’s “Rock Co. Cane Flow” over Diplo’s Clash sample made internationally known by M.I.A.. C’mon guys, lets here some originality! Download here.

Flashback! Party Sequence


So I’ll admit my irresponsibility when it comes to the Flashback! Party Sequences of the past month, but that will be no more! This week I have a track so hot you’ll be glad that it has taken so long to reach your ears. As “long-time” FMLY readers know, I’m a great lover of Diplo – he’s the greatest in the game. Recently he dropped a Bmore Tribe Called Quest remix entitled “Brew Barrymore” that has been my night-timing anthem of the past couple of weeks. As usual, my only complaint is of the track’s briefness, so I’m including an extremely badass remix by DJ Kue of Rage Against The Machine’s “Bulls On Parade.”

Diplo – Brew Berrymore
Rage Against The Machine – Bulls On Parade (DJ Kue Remix)

BONUS:
If Lost is your favorite show on television, then this is for you. FMLY FRNDs over at The Hood Internet really know how to keep mashups interesting and the downtime between seasons of Lost exciting. Check out the Youtube vid for MC Luscious vs. Lost.

Have a great weekend!

Favorite Albums of ‘08 (so far)


Chris over at Gorilla vs Bear really knows how to get a blog party started; in the mid-year he’s asked many of his friends what they’re favorite album of ‘08 is, it’s no surprise how many responded. Here are just several, you can read the rest and download mentioned MP3’s right here.

Edward Droste, Grizzly Bear:

that’s a no brainer for me! beach house, devotion. I’ve listened to this album since I got it in the fall non stop until now. They rapidly climbed my most played tracks on iTunes to overtake many of my favorite songs. This is the type of music that just grows and ages with each listen in the best way possible. I never tire of it and I’m sure that 10 years down the road I’ll appreciate it as much as I do now.

Bradford Cox, Atlas Sound/Deerhunter:

my album of the year so far would be Animal Collective’s Water Curses EP. I think its really enigmatic. “Cobwebs” might be my favorite thing I’ve heard in the past 5 years. The last song sounds great in your bedroom in the late afternoon with the windows open. The most important band of our generation and I mean that with all sincerity.

Noah Lennox, Panda Bear/Animal Collective:

my favorite album this year (so far) is the erykah badu one called new amerykah: part 1 (4th world war). animal collective was in mississippi in january or so and wed watch a lot of vh1 soul when we werent working on something and for a stretch of a couple of days erykah was always on. sometimes it was a video but one time i saw kind of a performance where she was doing a bunch of new songs and i really liked them and i liked the way she performed them a lot. wed see the honey video all the time and i really liked that and im really psyched that its just an added bonus track on the album. all the songs go together well but theyre also all kind of different. theres something strange that i cant quite put my finger on but all the songs go down easy if you know what i mean. the music feels very personal and real and i like that.

XXXChange, Spank Rock/Fully Fitted:

i dunno if this is super obvious or what but I’ve been super into what i’ve heard of the Lykke Li stuff. the albums not on itunes yet where i get most of my music but i found this one: “I’m Good. I’m Gone” floating around on the internet somewhere. soooooooo good. love the quality of the recording/production too! you can actually hear the room!
also on the subject of girls with cool accents:
http://www.myspace.com/mysoko
her whole thing feels a little twee but her cover of the teenagers “love no” is awesome.

Annie Clark, St. Vincent:

Man Man’s Rabbit Habbits. man, man man own psychosexual dirtdance this album. I love this band…I saw them at coachella and they had b boy painted drums. So cool in my book.

Diplo:

santogold, black lips, jon dahlback, carter 3 (not really), al green – lay it down

Bethany, Pocahaunted:

Vivian Girls, self titled. The songs are so fucking catchy that literally after I listen to them, I am singing them for days. And my dad once told me that you know a song is a hit if it gets stuck in your head. The song “Tell the World” is like the best thing I’ve heard since the Ronettes “I Wish I Never Saw The Sunshine.” I think they’re amazing women, making really fun music. and their harmonies, oh god their harmonies.

i guess as far as 2007 goes–”graduate” by kanye west. kind of fucking amazing. i guess you could count this, because literally i JUST heard this album in it’s entirety like a week ago. that song “flashing lights” is fucking perfect. AND “champion” samples Steely Dan, so dude…seriously.

and then–gotta shout out to my favorite man of all time, my dream husband–the boss. I think that “Magic” is what you’d expect from Bruce at this age, but I still loved it. “Girls in Their Summer Clothes” is about to be the anthem of my summer. This album is no “Greetings from Asbury Park,” but it does the trick, and I’m really proud of my man…

Josh Block, White Denim:

I really love the new Spiritualized record a lot, but it hasn’t had enough time to sink in for me to call it my most listened to record this year. With that in mind, The George Jones Box SetShe Thinks I Still Care” that came out in November of 07 (practically 08 for me) has been in heavy rotation in the player right next to Robert Wyatt’s “Comicopera” that came out one month before it. Both records are just my speed.

Evan Mast, RATATAT:

my favorite so far is easily springwater’s self titled. its an early 70s instrumental album made by a guy named phil cordell in his home studio. loads of guitar layers and beautiful melodies. apparently one of the tracks was a top 5 hit in the UK. somebody recommended this to me saying that it sounded like the 70s version of ratatat – and i have to admit, there’s actually a pretty strong resemblance in some ways. its amazing that i’m only discovering this record now.

Jared Van Fleet, Voxtrot/Sparrow House:

there is an album i’ve been listening to a lot this year, but i guess it’s not new for most people… townes van zandt’s our mother the mountain. for me, van zandt’s songs, performances, and production all reach their apex at the same time with this record. the result is a sound that is at once dark and hopeful, orchestrated and minimal, bitter and sweet. of the lesser-known tracks, check out “second lover’s song”. also, thanks to whoever accidentally left this in my car a few months ago.

Pablo Díaz-Reixa, El Guincho:

my favorite album so far from 2008 is Escuela de Zebras by Joe Crepúsculo. It is a guy from Barcelona who writes amazing lyrics and sings in a very particular way over really good backing tracks made of synths, keyboards, rythm machines and sometimes, guitars. It’s brilliant. From old stuff I’ve been enjoying Totó La Momposina a lot, the first 2 MC Solaar records and listening back again and again to Cinema Transcendental by Caetano Veloso. I saw Animal Collective play last weekend at Primavera Sound and their new songs are SO GOOD. They sounded so perfect and how they sync the lights with the sound, the best. Not also the new songs, but the way they played old stuff that was really clever and inspiring too. The Dirty Projectors were really good too. Beautiful guitar sounds. Also I’ve been listening a lot to a Mad Decent cumbia podcast, some pretty awesome tunes in it. And The Ruby Suns record too, can’t wait to see them play live cause I missed them at SXSW. I don’t know, that is all I can remember from last weeks.

As I stated in the beginning of this post, you can head over to Gorilla vs Bear to read more from Bodies of Water and Love Is All as well as download MP3’s that the artists have mentioned.

Favorite Albums of ‘08 (so far)


Chris over at Gorilla vs Bear really knows how to get a blog party started; in the mid-year he’s asked many of his friends what they’re favorite album of ‘08 is, it’s no surprise how many responded. Here are just several, you can read the rest and download mentioned MP3’s right here.

Edward Droste, Grizzly Bear:

that’s a no brainer for me! beach house, devotion. I’ve listened to this album since I got it in the fall non stop until now. They rapidly climbed my most played tracks on iTunes to overtake many of my favorite songs. This is the type of music that just grows and ages with each listen in the best way possible. I never tire of it and I’m sure that 10 years down the road I’ll appreciate it as much as I do now.

Bradford Cox, Atlas Sound/Deerhunter:

my album of the year so far would be Animal Collective’s Water Curses EP. I think its really enigmatic. “Cobwebs” might be my favorite thing I’ve heard in the past 5 years. The last song sounds great in your bedroom in the late afternoon with the windows open. The most important band of our generation and I mean that with all sincerity.

Noah Lennox, Panda Bear/Animal Collective:

my favorite album this year (so far) is the erykah badu one called new amerykah: part 1 (4th world war). animal collective was in mississippi in january or so and wed watch a lot of vh1 soul when we werent working on something and for a stretch of a couple of days erykah was always on. sometimes it was a video but one time i saw kind of a performance where she was doing a bunch of new songs and i really liked them and i liked the way she performed them a lot. wed see the honey video all the time and i really liked that and im really psyched that its just an added bonus track on the album. all the songs go together well but theyre also all kind of different. theres something strange that i cant quite put my finger on but all the songs go down easy if you know what i mean. the music feels very personal and real and i like that.

XXXChange, Spank Rock/Fully Fitted:

i dunno if this is super obvious or what but I’ve been super into what i’ve heard of the Lykke Li stuff. the albums not on itunes yet where i get most of my music but i found this one: “I’m Good. I’m Gone” floating around on the internet somewhere. soooooooo good. love the quality of the recording/production too! you can actually hear the room!
also on the subject of girls with cool accents:
http://www.myspace.com/mysoko
her whole thing feels a little twee but her cover of the teenagers “love no” is awesome.

Annie Clark, St. Vincent:

Man Man’s Rabbit Habbits. man, man man own psychosexual dirtdance this album. I love this band…I saw them at coachella and they had b boy painted drums. So cool in my book.

Diplo:

santogold, black lips, jon dahlback, carter 3 (not really), al green – lay it down

Bethany, Pocahaunted:

Vivian Girls, self titled. The songs are so fucking catchy that literally after I listen to them, I am singing them for days. And my dad once told me that you know a song is a hit if it gets stuck in your head. The song “Tell the World” is like the best thing I’ve heard since the Ronettes “I Wish I Never Saw The Sunshine.” I think they’re amazing women, making really fun music. and their harmonies, oh god their harmonies.

i guess as far as 2007 goes–”graduate” by kanye west. kind of fucking amazing. i guess you could count this, because literally i JUST heard this album in it’s entirety like a week ago. that song “flashing lights” is fucking perfect. AND “champion” samples Steely Dan, so dude…seriously.

and then–gotta shout out to my favorite man of all time, my dream husband–the boss. I think that “Magic” is what you’d expect from Bruce at this age, but I still loved it. “Girls in Their Summer Clothes” is about to be the anthem of my summer. This album is no “Greetings from Asbury Park,” but it does the trick, and I’m really proud of my man…

Josh Block, White Denim:

I really love the new Spiritualized record a lot, but it hasn’t had enough time to sink in for me to call it my most listened to record this year. With that in mind, The George Jones Box SetShe Thinks I Still Care” that came out in November of 07 (practically 08 for me) has been in heavy rotation in the player right next to Robert Wyatt’s “Comicopera” that came out one month before it. Both records are just my speed.

Evan Mast, RATATAT:

my favorite so far is easily springwater’s self titled. its an early 70s instrumental album made by a guy named phil cordell in his home studio. loads of guitar layers and beautiful melodies. apparently one of the tracks was a top 5 hit in the UK. somebody recommended this to me saying that it sounded like the 70s version of ratatat – and i have to admit, there’s actually a pretty strong resemblance in some ways. its amazing that i’m only discovering this record now.

Jared Van Fleet, Voxtrot/Sparrow House:

there is an album i’ve been listening to a lot this year, but i guess it’s not new for most people… townes van zandt’s our mother the mountain. for me, van zandt’s songs, performances, and production all reach their apex at the same time with this record. the result is a sound that is at once dark and hopeful, orchestrated and minimal, bitter and sweet. of the lesser-known tracks, check out “second lover’s song”. also, thanks to whoever accidentally left this in my car a few months ago.

Pablo Díaz-Reixa, El Guincho:

my favorite album so far from 2008 is Escuela de Zebras by Joe Crepúsculo. It is a guy from Barcelona who writes amazing lyrics and sings in a very particular way over really good backing tracks made of synths, keyboards, rythm machines and sometimes, guitars. It’s brilliant. From old stuff I’ve been enjoying Totó La Momposina a lot, the first 2 MC Solaar records and listening back again and again to Cinema Transcendental by Caetano Veloso. I saw Animal Collective play last weekend at Primavera Sound and their new songs are SO GOOD. They sounded so perfect and how they sync the lights with the sound, the best. Not also the new songs, but the way they played old stuff that was really clever and inspiring too. The Dirty Projectors were really good too. Beautiful guitar sounds. Also I’ve been listening a lot to a Mad Decent cumbia podcast, some pretty awesome tunes in it. And The Ruby Suns record too, can’t wait to see them play live cause I missed them at SXSW. I don’t know, that is all I can remember from last weeks.

As I stated in the beginning of this post, you can head over to Gorilla vs Bear to read more from Bodies of Water and Love Is All as well as download MP3’s that the artists have mentioned.

Favorite Albums of ‘08 (so far)


Chris over at Gorilla vs Bear really knows how to get a blog party started; in the mid-year he’s asked many of his friends what they’re favorite album of ‘08 is, it’s no surprise how many responded. Here are just several, you can read the rest and download mentioned MP3’s right here.

Edward Droste, Grizzly Bear:

that’s a no brainer for me! beach house, devotion. I’ve listened to this album since I got it in the fall non stop until now. They rapidly climbed my most played tracks on iTunes to overtake many of my favorite songs. This is the type of music that just grows and ages with each listen in the best way possible. I never tire of it and I’m sure that 10 years down the road I’ll appreciate it as much as I do now.

Bradford Cox, Atlas Sound/Deerhunter:

my album of the year so far would be Animal Collective’s Water Curses EP. I think its really enigmatic. “Cobwebs” might be my favorite thing I’ve heard in the past 5 years. The last song sounds great in your bedroom in the late afternoon with the windows open. The most important band of our generation and I mean that with all sincerity.

Noah Lennox, Panda Bear/Animal Collective:

my favorite album this year (so far) is the erykah badu one called new amerykah: part 1 (4th world war). animal collective was in mississippi in january or so and wed watch a lot of vh1 soul when we werent working on something and for a stretch of a couple of days erykah was always on. sometimes it was a video but one time i saw kind of a performance where she was doing a bunch of new songs and i really liked them and i liked the way she performed them a lot. wed see the honey video all the time and i really liked that and im really psyched that its just an added bonus track on the album. all the songs go together well but theyre also all kind of different. theres something strange that i cant quite put my finger on but all the songs go down easy if you know what i mean. the music feels very personal and real and i like that.

XXXChange, Spank Rock/Fully Fitted:

i dunno if this is super obvious or what but I’ve been super into what i’ve heard of the Lykke Li stuff. the albums not on itunes yet where i get most of my music but i found this one: “I’m Good. I’m Gone” floating around on the internet somewhere. soooooooo good. love the quality of the recording/production too! you can actually hear the room!
also on the subject of girls with cool accents:
http://www.myspace.com/mysoko
her whole thing feels a little twee but her cover of the teenagers “love no” is awesome.

Annie Clark, St. Vincent:

Man Man’s Rabbit Habbits. man, man man own psychosexual dirtdance this album. I love this band…I saw them at coachella and they had b boy painted drums. So cool in my book.

Diplo:

santogold, black lips, jon dahlback, carter 3 (not really), al green – lay it down

Bethany, Pocahaunted:

Vivian Girls, self titled. The songs are so fucking catchy that literally after I listen to them, I am singing them for days. And my dad once told me that you know a song is a hit if it gets stuck in your head. The song “Tell the World” is like the best thing I’ve heard since the Ronettes “I Wish I Never Saw The Sunshine.” I think they’re amazing women, making really fun music. and their harmonies, oh god their harmonies.

i guess as far as 2007 goes–”graduate” by kanye west. kind of fucking amazing. i guess you could count this, because literally i JUST heard this album in it’s entirety like a week ago. that song “flashing lights” is fucking perfect. AND “champion” samples Steely Dan, so dude…seriously.

and then–gotta shout out to my favorite man of all time, my dream husband–the boss. I think that “Magic” is what you’d expect from Bruce at this age, but I still loved it. “Girls in Their Summer Clothes” is about to be the anthem of my summer. This album is no “Greetings from Asbury Park,” but it does the trick, and I’m really proud of my man…

Josh Block, White Denim:

I really love the new Spiritualized record a lot, but it hasn’t had enough time to sink in for me to call it my most listened to record this year. With that in mind, The George Jones Box SetShe Thinks I Still Care” that came out in November of 07 (practically 08 for me) has been in heavy rotation in the player right next to Robert Wyatt’s “Comicopera” that came out one month before it. Both records are just my speed.

Evan Mast, RATATAT:

my favorite so far is easily springwater’s self titled. its an early 70s instrumental album made by a guy named phil cordell in his home studio. loads of guitar layers and beautiful melodies. apparently one of the tracks was a top 5 hit in the UK. somebody recommended this to me saying that it sounded like the 70s version of ratatat – and i have to admit, there’s actually a pretty strong resemblance in some ways. its amazing that i’m only discovering this record now.

Jared Van Fleet, Voxtrot/Sparrow House:

there is an album i’ve been listening to a lot this year, but i guess it’s not new for most people… townes van zandt’s our mother the mountain. for me, van zandt’s songs, performances, and production all reach their apex at the same time with this record. the result is a sound that is at once dark and hopeful, orchestrated and minimal, bitter and sweet. of the lesser-known tracks, check out “second lover’s song”. also, thanks to whoever accidentally left this in my car a few months ago.

Pablo Díaz-Reixa, El Guincho:

my favorite album so far from 2008 is Escuela de Zebras by Joe Crepúsculo. It is a guy from Barcelona who writes amazing lyrics and sings in a very particular way over really good backing tracks made of synths, keyboards, rythm machines and sometimes, guitars. It’s brilliant. From old stuff I’ve been enjoying Totó La Momposina a lot, the first 2 MC Solaar records and listening back again and again to Cinema Transcendental by Caetano Veloso. I saw Animal Collective play last weekend at Primavera Sound and their new songs are SO GOOD. They sounded so perfect and how they sync the lights with the sound, the best. Not also the new songs, but the way they played old stuff that was really clever and inspiring too. The Dirty Projectors were really good too. Beautiful guitar sounds. Also I’ve been listening a lot to a Mad Decent cumbia podcast, some pretty awesome tunes in it. And The Ruby Suns record too, can’t wait to see them play live cause I missed them at SXSW. I don’t know, that is all I can remember from last weeks.

As I stated in the beginning of this post, you can head over to Gorilla vs Bear to read more from Bodies of Water and Love Is All as well as download MP3’s that the artists have mentioned.

Favorite Albums of ‘08 (so far)


Chris over at Gorilla vs Bear really knows how to get a blog party started; in the mid-year he’s asked many of his friends what they’re favorite album of ‘08 is, it’s no surprise how many responded. Here are just several, you can read the rest and download mentioned MP3’s right here.

Edward Droste, Grizzly Bear:

that’s a no brainer for me! beach house, devotion. I’ve listened to this album since I got it in the fall non stop until now. They rapidly climbed my most played tracks on iTunes to overtake many of my favorite songs. This is the type of music that just grows and ages with each listen in the best way possible. I never tire of it and I’m sure that 10 years down the road I’ll appreciate it as much as I do now.

Bradford Cox, Atlas Sound/Deerhunter:

my album of the year so far would be Animal Collective’s Water Curses EP. I think its really enigmatic. “Cobwebs” might be my favorite thing I’ve heard in the past 5 years. The last song sounds great in your bedroom in the late afternoon with the windows open. The most important band of our generation and I mean that with all sincerity.

Noah Lennox, Panda Bear/Animal Collective:

my favorite album this year (so far) is the erykah badu one called new amerykah: part 1 (4th world war). animal collective was in mississippi in january or so and wed watch a lot of vh1 soul when we werent working on something and for a stretch of a couple of days erykah was always on. sometimes it was a video but one time i saw kind of a performance where she was doing a bunch of new songs and i really liked them and i liked the way she performed them a lot. wed see the honey video all the time and i really liked that and im really psyched that its just an added bonus track on the album. all the songs go together well but theyre also all kind of different. theres something strange that i cant quite put my finger on but all the songs go down easy if you know what i mean. the music feels very personal and real and i like that.

XXXChange, Spank Rock/Fully Fitted:

i dunno if this is super obvious or what but I’ve been super into what i’ve heard of the Lykke Li stuff. the albums not on itunes yet where i get most of my music but i found this one: “I’m Good. I’m Gone” floating around on the internet somewhere. soooooooo good. love the quality of the recording/production too! you can actually hear the room!
also on the subject of girls with cool accents:
http://www.myspace.com/mysoko
her whole thing feels a little twee but her cover of the teenagers “love no” is awesome.

Annie Clark, St. Vincent:

Man Man’s Rabbit Habbits. man, man man own psychosexual dirtdance this album. I love this band…I saw them at coachella and they had b boy painted drums. So cool in my book.

Diplo:

santogold, black lips, jon dahlback, carter 3 (not really), al green – lay it down

Bethany, Pocahaunted:

Vivian Girls, self titled. The songs are so fucking catchy that literally after I listen to them, I am singing them for days. And my dad once told me that you know a song is a hit if it gets stuck in your head. The song “Tell the World” is like the best thing I’ve heard since the Ronettes “I Wish I Never Saw The Sunshine.” I think they’re amazing women, making really fun music. and their harmonies, oh god their harmonies.

i guess as far as 2007 goes–”graduate” by kanye west. kind of fucking amazing. i guess you could count this, because literally i JUST heard this album in it’s entirety like a week ago. that song “flashing lights” is fucking perfect. AND “champion” samples Steely Dan, so dude…seriously.

and then–gotta shout out to my favorite man of all time, my dream husband–the boss. I think that “Magic” is what you’d expect from Bruce at this age, but I still loved it. “Girls in Their Summer Clothes” is about to be the anthem of my summer. This album is no “Greetings from Asbury Park,” but it does the trick, and I’m really proud of my man…

Josh Block, White Denim:

I really love the new Spiritualized record a lot, but it hasn’t had enough time to sink in for me to call it my most listened to record this year. With that in mind, The George Jones Box SetShe Thinks I Still Care” that came out in November of 07 (practically 08 for me) has been in heavy rotation in the player right next to Robert Wyatt’s “Comicopera” that came out one month before it. Both records are just my speed.

Evan Mast, RATATAT:

my favorite so far is easily springwater’s self titled. its an early 70s instrumental album made by a guy named phil cordell in his home studio. loads of guitar layers and beautiful melodies. apparently one of the tracks was a top 5 hit in the UK. somebody recommended this to me saying that it sounded like the 70s version of ratatat – and i have to admit, there’s actually a pretty strong resemblance in some ways. its amazing that i’m only discovering this record now.

Jared Van Fleet, Voxtrot/Sparrow House:

there is an album i’ve been listening to a lot this year, but i guess it’s not new for most people… townes van zandt’s our mother the mountain. for me, van zandt’s songs, performances, and production all reach their apex at the same time with this record. the result is a sound that is at once dark and hopeful, orchestrated and minimal, bitter and sweet. of the lesser-known tracks, check out “second lover’s song”. also, thanks to whoever accidentally left this in my car a few months ago.

Pablo Díaz-Reixa, El Guincho:

my favorite album so far from 2008 is Escuela de Zebras by Joe Crepúsculo. It is a guy from Barcelona who writes amazing lyrics and sings in a very particular way over really good backing tracks made of synths, keyboards, rythm machines and sometimes, guitars. It’s brilliant. From old stuff I’ve been enjoying Totó La Momposina a lot, the first 2 MC Solaar records and listening back again and again to Cinema Transcendental by Caetano Veloso. I saw Animal Collective play last weekend at Primavera Sound and their new songs are SO GOOD. They sounded so perfect and how they sync the lights with the sound, the best. Not also the new songs, but the way they played old stuff that was really clever and inspiring too. The Dirty Projectors were really good too. Beautiful guitar sounds. Also I’ve been listening a lot to a Mad Decent cumbia podcast, some pretty awesome tunes in it. And The Ruby Suns record too, can’t wait to see them play live cause I missed them at SXSW. I don’t know, that is all I can remember from last weeks.

As I stated in the beginning of this post, you can head over to Gorilla vs Bear to read more from Bodies of Water and Love Is All as well as download MP3’s that the artists have mentioned.